Three days we had rehearsals on an immense stage large enough to accommodate more than one thousand musicians. Apart from the sitar players there was a conductor, a lead singer, some solo instrumentalists, and a group of about 100 percussionists. To settle on the stage took already more than one hour, and to tune one’s own instrument was a difficult task as well in the buzzing sound of hundreds of other sitars surrounding each of us. Then during the rehearsals it seemed almost as if the multitude of sitar necks had become one huge united wood of musical instruments that had grown on the stage.
On the third day, Sri Sri Ravi Shankar turned up to get an impression of the proceedings. Immediately there was a frantic rush on the stage as many Indians were trying to catch a glimpse of him and to touch his feet, because this Brahm Naad concert was organized by his ‘Art of Living foundation’ as a fundraiser for the victims of the flood in Bihar 2008.
So when the show finally started on the fourth day, it was quite an overwhelming experience.